Eugen Schüfftan
- Naissance
- 21 juillet 1893 · Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
- Décès
- 6 septembre 1977
- Directeur de la photographie
- visual_effects
- miscellaneous
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Filmographie · 8 crédits
- 1964Lilith · Directeur de la photographie
- 1964The Parisienne and the Prudes · Directeur de la photographie
- 1961The Hustler · Directeur de la photographie
- 1961Something Wild · Directeur de la photographie
- 1959The Bloody Brood · Directeur de la photographie
- 1948Women in the Night · Directeur de la photographie
- 1946The Wife of Monte Cristo · Chef décorateur
- 1944Bluebeard · Chef décorateur